SoBe
Business Exiles Make Miami’s Bourgeoning Upper Eastside Home
By Mitchell
Pellecchia
Staff Writer
There’s pop art everywhere,
but Hannah Lansky’s corner of the barber shop is decorated
only with her original paintings, all of which, she said, “are
reflections of a moment.”
“A lot of my paintings
have people I know in them,” said cosmetologist-painter-poet
Hannah Lasky.
Lasky is upstairs at Primal,
a hip, Upper Eastside hair art studio on the S.W. corner of 73rd
and Biscayne Boulevard, a “groovy” bungalow where
seasoned stylists work their craft as independents, but under
the same roof.
She transplanted from St.
Louis, Missouri to Miami Beach in 1987 and into the famed Clevelander
Hotel on Ocean Drive (via a 10 month detour to the Big Apple)
with “two crazy Russians and a crazy Italian girl.”
In 1989 she started making people beautiful in the basement of
the Leslie Hotel – her first hair gig.
Lasky recollects Miami
Beach as a haven for entrepreneurs. “The Beach was wide
open back then for any person to start any business they wanted
to,” she said, reminiscing about her first day on South
Beach. The modest beatnik beautician started her salon “ten
grand in the hole,” she said, but by 1993 she had a shop
on Lincoln Road next to the New World Symphony. “All these
people wanted to work for me and I said ‘you do?’”
remembered the pioneer.
Lasky, who wouldn’t
hesitate to shave drunken heads at a bar if it meant raising money
for kids with cancer, moved to Biscayne Boulevard after years
on Lincoln Road. She recalls her rent skyrocketing and the stress
of the “big guys” [large retailers] pushing out the
mom and pop type shops. “I would have liked it if it stayed
funky,” Lasky told SunPost.
And her new landlord agrees.
“South Beach was
becoming very Disneyland,” said Donna Ashby-Clark, a 1990’s
Miami Beach real-estate executive who converted a “crack-house”
into a business enclave on Biscayne’s 7000 block a little
over four years ago. “I was on South Beach when nobody was
down there,” she said. “People told me I was crazy
for buying on the Boulevard but I told them, ‘I was over
real estate and I wanted a store.’”
South Beach has changed
quite a bit in recent years. “You got Gap and Banana Republic,
Victoria Secrets and Armani…It’s just not fuzzy anymore,”
she said.
Ashby-Clark’s store
downstairs from Primal is “Divine Trash,” a place
for found objects, vintage furniture and art.
“It’s becoming
more high-end vintage as of late,” she said.
Also in the building with
Primal and Divine Trash is a small café called Nectar of
Life, a pottery shop and garden center. In December there will
be a shop specializing in vintage designer clothing operating
in the building. And on the side of Ashby-Clark’s 1940s
two-story street corner village is a gated garden where on any
given day friends can be found sharing conversation and sipping
wine. “It’s much more personal than what South Beach
has become,” Ashley-Clark said.
Doing business down the
street is the 55th Street Station, another enclave that was renovated
by South Beach restaurateur Mark Soyka of Van Dyke and News Café
Miami Beach fame). Besides Soyka’s own Soyka’s Restaurant,
other Miami Beach transplants operate at “the Station”
at 5582 N.E. 4th Court like Idols Gym, Sushi Siam and Bettcher
Gallery. Add to that neighborhood a dash of high-end housing like
Kubik, the 14-story mixed-use luxury condominium a la street-level
shopping already approved to break ground and the result: a straight-up
recipe for Upper Eastside economic prosperity. “Everyone
on the Beach is trying to get on the Boulevard now,” Ashby-Clark
said.
Cora Bettcher, owner of
Bettcher Art Gallery, said if you look at all “the real
players you’ll see a common denominator,” she told
SunPost. “We all started on the Beach,” said Bettcher,
flying south from New York. She refers to her tenure on Lincoln
Road, however, as “two years of total misery.” During
the mid-1990s, Lincoln Road was undergoing extensive renovation
and at her 900-block address, constant construction, 10-foot trenches
and scaffolding discourages people from browsing her gallery.
“You only knew I was there if you knew,” she said.
What really excites Bettcher
about being on the Eastside is it’s “a work in progress,”
she said, where she has developed another demographic that she
didn’t have on South Beach, a place where “I made
less than one percent of my sales.” The gallery owner said
local collectors more often frequent the Eastside, whereas most
business she did on South Beach was international. She credits
the Eastside as being a cultural segue between Miami Beach and
the Magic City and said she and others not too long ago followed
their gut to Biscayne Boulevard.
As successful entrepreneurs
slowly but surely migrate to Miami’s Upper Eastside and
as high-end high-rises grow from Morningside to Miami Shores,
Biscayne Boulevard is becoming central to upscale dining, fashion
and the eclectic. “What better exposure could you have?”
asked Ashby-Clark.